Shopping on line can be easy, simple and save you lots of money. It can also take a lot of your time, frustrate you, and result in unwanted purchases. Now the same can be said for regular high street shopping, but with the vast opportunity presented by the Internet it will pay you to spend a few minutes reading this and understanding how to better optimize your Production Design shopping experience:
1. Compare - without doubt the biggest advantage that the Production Design offers shoppers today is the ability to compare thousands of Production Design at a time. This is a great thing, but not necessarily all the time! Too much can be daunting at times so take advantage of the great comparison sites and where possible let them do the hard work for you.
2. Research - if it has been said it will be on the internet. Ignorance is no longer a justifiable reason for buying the wrong thing. Take the time to research in detail everything that you could possible want to know about
3. Testimonials - don't know anybody that has bought a Production Design? Wrong! If the Production Design is good the internet will let you know. Use the Internet as a friend and get testimonials before you buy.
4. Questions - Got a question about Production Design then search the Forums, FAQ's, Blogs etc. Don't be afraid to ask .....
5. Reputation - Never heard of the company selling Production Design? Don't worry, no reason why you should know every company in the world, but you know someone that does! Use the internet to find out what people are saying about Production Design and build up a picture of their reputation for sales, returns, customer service, delivery etc.
6. Returns - still worried that even after all of the above your Production Design wont be what you want? Check out the returns policy. There is so much competition now that someone, somewhere is bound to offer the terms that you are comfortable with.
7. Feedback - happy with your Production Design then let people know, after all you are depending on others people input in your buying decision, so why not give a little back.
8. Security - check for the yellow padlock on the Production Design site before you buy, and the s after http:/ /i.e. https:// = a secure site
9. Contact - got a question about Production Design, or want to leave a comment then check out the sites contact page. Reputable companies have them and respond.
10. Payment - ready to pay for your Production Design, then use your credit card or PayPal! Be aware of companies that don't accept them, there may be genuine reasons but given the huge amount of choice you have when buying online there is no reason at all not to buy via credit card or PayPal.
Production designer is a term used in the
movie industry and
television industries to refer to the person responsible for the overall look of a filmed event such as films, TV programs, music videos or adverts. Production Designers have one of the key creative roles in the creation of motion pictures and television. Working directly with the film director and film producer, they must select the settings and style to visually tell the story.
From early in pre-production, the production designer collaborates with the director and
director of photography to establish the visual feel and specific aesthetic needs of the project. The production designer guides key personnel in other departments such as the
costume designer, the key hair and make-up stylists, the special effects director and the locations manager (among others) to establish a unified
visual appearance to the film.
The “art department” is a group of people who work with the production designer to implement the scenic elements of that vision. The art director supervises
set construction and painting, as well as modifications to existing locations, such as changing signs or installing new carpet. An art director has myriad specialists reporting to them including Construction department which includes carpenters, painters, plasterers, riggers and other trades, Propmakers, greensmen (landscapers), sign painters, and scenic artists. A production illustrator, such as Mentor Huebner, provides pre-production concept art and storyboards. The
set decorator, often someone with experience in interior decoration, finds decorative items for the sets such as furniture, wallpaper, knick-knacks and lighting fixtures. Working under the decorator are buyers, as well as a crew of set dressers who bring the items to the set, arrange furniture, hang curtains and “dress” the set. A Theatrical property master coordinates with the production designer, but also works closely with the director and actors to provide the items handled directly by the actors such as newspapers, weapons, musical instruments and food. For the most part, the prop crew, along with an on-set dresser, maintain the integrity of the production designer’s vision during the shoot and manipulate the items for the camera.
The term was created in
1939 in respect for the amount and level of design work single-handedly accomplished by
William Cameron Menzies on the film
Gone with the Wind (film). Previously, and often subsequently, the person(s) with the same responsibility had been called "art directors."
Some of the crew who work in the art department under the production designer include:
Societies and trade organizations
- In the United States and Canada, production designers are represented by International Alliance of Theatrical Stage Employees Local 800; the Art Directors Guild.
Noted motion picture production designers
- John Barry (set designer) (Star Wars Episode IV: A New Hope, Star Wars Episode V: Empire Strikes Back, Superman (film))
- Anton Furst (Batman (1989 film), Full Metal Jacket)
- Ken Adam (Chitty Chitty Bang Bang, The Spy Who Loved Me, Barry Lyndon)
- John Box, 1920 - 2005 (Lawrence of Arabia (film), Doctor Zhivago (1965 film))
- Stuart Craig (Gandhi (film), The English Patient, Harry Potter)
- Cedric Gibbons, 1893 - 1960 (The Wizard of Oz (1939))
- Rick Heinrichs (Sleepy Hollow (film), Lemony Snicket's A Series of Unfortunate Events)
- Peter Lamont (Titanic (1997 film))
- Grant Major (The Lord of the Rings film trilogy)
- Alex McDowell (Charlie and the Chocolate Factory, Corpse Bride, Minority Report)
- William Cameron Menzies, 1896 - 1957 (Gone with the Wind (film))
- Van Nest Polglase, 1898 - 1968 (Citizen Kane)
- Dean Tavoularis (The Godfather)
- Anton Weber, 1904 - 1979 (UFA - La Habanera, Unter den Brücken)
- Carl Jules Weyl, 1890 - 1948 (Casablanca (film))
See also
- Academy Award for Best Art Direction
References
-
-
- Hans-Jürgen Tast (ed.) ANTON WEBER (1904-1979) - Filmarchitekt bei der UFA (Schellerten 2005) ISBN 3-88842-030-X;
-
External Links
- Art Directors Guild, IATSE Local 800 Union local representing Art Directors and Production Designers.
- ADG Art Direction Wiki Online community and knowledgebase relating to new and classic technologies relevant to the art of film design
- British Film Designers Guild A society of British Film Directors and Designers was founded in 1946, for the betterment of the Design in British Films.
- The Austrian Filmdesigners Association represents Production Designers, Art Directors, Costume Designers, Props Masters, Set Decorators and their assistants in
- http://www.usa829.org/
Austria (VÖF - Verband Österreichischer FilmausstatterInnen).
Production designer is a term used in the
movie industry and television industries to refer to the person responsible for the overall look of a filmed event such as films, TV programs, music videos or adverts. Production Designers have one of the key creative roles in the creation of motion pictures and television. Working directly with the
film director and
film producer, they must select the settings and style to visually tell the story.
From early in pre-production, the production designer collaborates with the director and director of photography to establish the visual feel and specific aesthetic needs of the project. The production designer guides key personnel in other departments such as the
costume designer, the key hair and make-up stylists, the special effects director and the locations manager (among others) to establish a unified visual appearance to the film.
The “art department” is a group of people who work with the production designer to implement the scenic elements of that vision. The
art director supervises
set construction and painting, as well as modifications to existing locations, such as changing signs or installing new carpet. An art director has myriad specialists reporting to them including Construction department which includes carpenters, painters, plasterers, riggers and other trades, Propmakers, greensmen (landscapers), sign painters, and scenic artists. A production illustrator, such as Mentor Huebner, provides pre-production concept art and storyboards. The set decorator, often someone with experience in interior decoration, finds decorative items for the sets such as furniture, wallpaper, knick-knacks and lighting fixtures. Working under the decorator are buyers, as well as a crew of set dressers who bring the items to the set, arrange furniture, hang curtains and “dress” the set. A Theatrical property master coordinates with the production designer, but also works closely with the director and actors to provide the items handled directly by the actors such as newspapers, weapons, musical instruments and food. For the most part, the prop crew, along with an on-set dresser, maintain the integrity of the production designer’s vision during the shoot and manipulate the items for the camera.
The term was created in
1939 in respect for the amount and level of design work single-handedly accomplished by William Cameron Menzies on the film
Gone with the Wind (film). Previously, and often subsequently, the person(s) with the same responsibility had been called "art directors."
Some of the crew who work in the art department under the production designer include:
Societies and trade organizations
- In the United States and Canada, production designers are represented by International Alliance of Theatrical Stage Employees Local 800; the Art Directors Guild.
Noted motion picture production designers
- John Barry (set designer) (Star Wars Episode IV: A New Hope, Star Wars Episode V: Empire Strikes Back, Superman (film))
- Anton Furst (Batman (1989 film), Full Metal Jacket)
- Ken Adam (Chitty Chitty Bang Bang, The Spy Who Loved Me, Barry Lyndon)
- John Box, 1920 - 2005 (Lawrence of Arabia (film), Doctor Zhivago (1965 film))
- Stuart Craig (Gandhi (film), The English Patient, Harry Potter)
- Cedric Gibbons, 1893 - 1960 (The Wizard of Oz (1939))
- Rick Heinrichs (Sleepy Hollow (film), Lemony Snicket's A Series of Unfortunate Events)
- Peter Lamont (Titanic (1997 film))
- Grant Major (The Lord of the Rings film trilogy)
- Alex McDowell (Charlie and the Chocolate Factory, Corpse Bride, Minority Report)
- William Cameron Menzies, 1896 - 1957 (Gone with the Wind (film))
- Van Nest Polglase, 1898 - 1968 (Citizen Kane)
- Dean Tavoularis (The Godfather)
- Anton Weber, 1904 - 1979 (UFA - La Habanera, Unter den Brücken)
- Carl Jules Weyl, 1890 - 1948 (Casablanca (film))
See also
- Academy Award for Best Art Direction
References
-
-
- Hans-Jürgen Tast (ed.) ANTON WEBER (1904-1979) - Filmarchitekt bei der UFA (Schellerten 2005) ISBN 3-88842-030-X;
-
External Links
- Art Directors Guild, IATSE Local 800 Union local representing Art Directors and Production Designers.
- ADG Art Direction Wiki Online community and knowledgebase relating to new and classic technologies relevant to the art of film design
- British Film Designers Guild A society of British Film Directors and Designers was founded in 1946, for the betterment of the Design in British Films.
- The Austrian Filmdesigners Association represents Production Designers, Art Directors, Costume Designers, Props Masters, Set Decorators and their assistants in
- http://www.usa829.org/
Austria (VÖF - Verband Österreichischer FilmausstatterInnen).
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